Most of the bands that contributed covers for Ceremony: A New Order Tribute are obscure, and sound like some bigger-name artist. Johnny Parry's cover of "Him" is channeling Leonard Cohen to the point that Cohen should be collecting royalties, for instance. XOXO is a dead ringer for Mojave 3, and most of the other bands seem to be striving to recapture a strong '80s sound with heavy synth and drum machine textures. Unique sounding and different adaptations of "All Day Long" and "World" are standouts, but the majority of Ceremony: A New Order Tribute tries to hard to imitate, when it should have been striving to innovate. Considering the impact that New Order made on the music scene, and all the bands that could trace their influences back to the Manchester phenomenon, we expected more.
The motivation to create this record is coming from the right place, and it's easy to see why these bands signed up to participate. The potential for exposure is great, and the cause is a righteous one, but we really wished that a strong collection of musicians had gathered to cover these songs. Perhaps this will spark a renaissance, and spur more interest in New Order, but we worry about the potential for people to write off these songs based on their mediocre covers. Synthesizer love is spread liberally throughout Ceremony: A New Order Tribute, but it didn't deliver what we had hoped for, which was the kind of raw creativity that defined New Order and its predecessor band Joy Division. Almost everything on the record is listenable, and was clearly created out of love for what New Order represented in their day, and what Tony Wilson's charity is trying to promote today. Not to demean the bands that appear on Ceremony: A New Order Tribute, but both New Order and Wilson deserve a better shake.